Mostly Baroque Announces 2026 Concert Series at Adrienne Arsht Center

The Miami-based ensemble, Mostly Baroque, is set to make its debut at the Adrienne Arsht Center with a three-concert series scheduled from February 26 to March 1, 2026. This series will take place in the Carnival Studio Theater and aims to showcase a diverse range of classical performances, appealing to both seasoned enthusiasts and new audiences.

Dr. David O. Hartman, the Music Director of Mostly Baroque, expressed enthusiasm about the upcoming series. “Mostly Baroque is proud to present an exclusive series showcasing the full breadth of classical performance that audiences love—from opera and oratorio to orchestral, solo choir, and solo recitals—all within a three-concert experience,” he stated in an official press release. He emphasized the collaborative experience of the musicians, who have shared their artistry for over 25 years in various chamber and orchestral settings.

The concert series offers a variety of vocal performances, each highlighting unique aspects of the classical music repertoire.

Concert Highlights and Featured Artists

On February 27, 2026, bass-baritone and composer Johan Hartman will headline a 60-minute recital. This performance will include a selection of works such as Finzi’s “Let Us Garlands Bring” and Jacques Ibert’s “Don Quichotte songs.” Hartman will perform in multiple languages, including English, French, German, and Italian. Additionally, he will feature original pieces from his debut EP, “Blood and the Moon,” which was released on Constitution Records.

The series will conclude on March 1, 2026, with a production of Pergolesi’s “La Serva Padrona.” This performance will showcase Hartman alongside soprano Yi-Chun Sarah Tsai. The ensemble will also feature guest artists from the Miami Oratorio Society, who will present spirituals by composer Florence Price and choruses from George Frideric Handel’s renowned work, “Messiah,” accompanied by the Mostly Baroque Chamber Orchestra.

This concert series marks a significant milestone for Mostly Baroque, as it seeks to enrich Miami’s cultural landscape with its commitment to classical music. The performances promise to deliver an engaging experience that resonates with audiences, fostering a deeper appreciation for the genre.

As the concert dates approach, anticipation builds for what promises to be a memorable series, celebrating the power of music and collaboration.