Filmmaker James L. Brooks makes his return to the director’s chair with the release of his latest film, Ella McCay, set to hit theaters on December 12, 2023. The 85-year-old Brooks is renowned for his influential contributions to the entertainment industry, having created iconic shows like The Mary Tyler Moore Show and won three Academy Awards for Terms of Endearment. His new project, which marks his first film in 15 years, tells the story of a determined lieutenant governor navigating personal and political challenges.
In Ella McCay, actress Emma Mackey portrays the titular character, a 34-year-old politician on the brink of stepping into the governor’s role when the current governor, Bill (played by Albert Brooks), is selected for a position in the president’s cabinet. As Ella prepares for this pivotal moment in her career, she faces significant hurdles from her needy husband, Ryan (played by Jack Lowden), her agoraphobic brother, Casey (played by Spike Fearn), and her unfaithful father, Eddie (portrayed by Woody Harrelson).
While the film begins with a straightforward premise, Brooks’ storytelling soon diverges into a variety of subplots that detract from the main narrative. The dynamics within Ella’s family, especially with her brother and father, seem underexplored, given their critical role in her life. A subplot involving Casey’s attempts to reconcile with his girlfriend, Susan (played by Ayo Edebiri), adds further distraction without contributing meaningfully to the overall story.
The political landscape presented in Ella McCay lacks clarity and often feels outdated. Although it is implied that both Ella and Governor Bill lean towards the Democratic party, particularly through Ella’s advocacy for programs aimed at supporting mothers, Brooks fails to provide a coherent political message. At one point, Ella’s attempts to engage her fellow lawmakers result in moments of tedium, a curious choice for a character intended to be a beacon of hope.
Despite these narrative shortcomings, the performances of Mackey and Jamie Lee Curtis stand out. Mackey brings a confident charm to Ella, ensuring the character remains engaging even when the plot falters. Curtis, known for her more flamboyant roles in recent years, adopts a more understated approach, providing a comforting presence for Ella. Their chemistry elevates the film and offers viewers a glimpse of what could have been.
Brooks seems to invest more effort into developing female characters, as evidenced by the contributions of Julie Kavner, whose character serves as an unnecessary narrator but delivers some of the film’s best comedic moments. In contrast, Harrelson’s character lacks depth, and both Lowden and Fearn struggle to make a significant impact due to their roles’ limitations. The presence of Kumail Nanjiani provides some relief, but the film could have benefited from stronger male performances overall.
While James L. Brooks has a storied career filled with acclaimed television shows and films, Ella McCay does not reach the heights of his best work. The film ultimately serves as a platform for Mackey, showcasing her ability to carry a lead role and enhance a project that might otherwise have been less compelling. As audiences prepare for its release, the film represents both a nostalgic return to form for Brooks and a new chapter for the talented Mackey.
